crédit photo: Fabrice Hernandez

boomerang-teaser from ciemalka on Vimeo.

“… In each dancer’s move, there is desire, anger, aggressiveness, passion, frustration… but also a kind of resistance to oppression. Bodies on stage have the elegance and the dazzle of a boomerang thrown in the air…”
Prune Vellot, les affiches de grenoble, 27 janvier 2017

“…Playing on the discrepancy between softness and violence, dance often comes together as abruptly as defeated in sudden impulses and sudden slow motions. Of course, one can see in these uncompromising relationships a reflection of our world full of noise and fury, where aggressiveness only matches indifference. Body language is inventive and exceeds far beyond hip-hop frame …”
Agnès Izrine, 1er décembre 2016, dansercanalhistorique.fr

“… In circles or alone, fighting against each other or all united in front of a same danger, the eight dancers develop at once a deeply grounded and light dance. Their moves are illuminated by reciprocity, in a couple of either aggressive scenes, or delicate and sensitive ones. One can admire the technique and creativity of its performers, chosen for their personalities and their ability to develop, from a very common theme, original moves and proposals…”
Isabelle Calabre, décembre 2016, ballroom n°12

“… Bouba Landrille Tchouda remains faithful to his search for a political dance that questions what makes or destroy society. Faithful to what has been hip-hop at the beginning, a dance that lets human expression possible…”
Martine Pullara, 8 novembre 2016, lyon capitale